Francois Spierinck b. 1550 d. 23 febbraio 1630

Da Rodovid IT.

Eventi

1550 Nascita: Antwerpen

figlio(a) nascita: ♂ Abraham Spierinck [Spierinck]

figlio(a) nascita: ♂ Dirck Duyst Dirx Spierinck [Spierinck]

figlio(a) nascita: ♂ Isac Spiering Guldecroon [Spiering Guldecroon] bur. 2 settembre 1652

Matrimonio: ♀ Maria Mennincx [Mennincx]

13 novembre 1585 Matrimonio: Scheveningen, ♀ Oncommera Menninck [Menninck] d. 12 agosto 1634

1593 figlio(a) nascita: ♂ Aert Spiering [Spiering] b. 1593 bur. 18 maggio 1650

1595 figlio(a) nascita: ♂ Pieter Spiering Silvercroon [Spiering Silvercroon] b. 1595 d. 1652

21 gennaio 1595 figlio(a) nascita: Delft, ♀ Catharina Spiering [Spiering] b. 21 gennaio 1595 d. 14 dicembre 1640

23 febbraio 1630 Morte: Delft

27 marzo 1630 Seppelimento: Delft

Note

De Antwerpenaar Frans Spiering was eigenaar van een bloeiend weefatelier toen de Spanjaarden in 1576 zijn stad binnenvielen. Hij week uit naar Delft, waar hij in 1582 een nieuwe werkplaats opende. Hij trouwde met de brouwersdochter Maria Menninck. De Zuid-Nederlander Spiering leverde tapijten van ongekende kwaliteit en verwierf talloze prestigieuze opdrachten. De werkplaats maakte gebruik van 'freelance' ontwerpers, onder wie de kunstenaar Karel van Mander II. Tussen 1615 en 1623 begon Van Mander voor zichzelf en vormde zo een bedreiging voor Spiering. In 1620 droeg Frans Spiering de leiding over aan zijn zoon Aert. Francois Spiering / Spierincx (c.1576?-1630?). Arrived in Delft 1591, became member of the Guild in 1613. In his successful tapestry workshop he produced figurative (pictorial) tapestries. He was visited in 1598 by the diarist Aernout van Buchell (1565?-1641) who in his diary raved about the pictorial quality and colour which was - he wrote - nearly as good as that of oil paints. To the right: Wall tapestry in the Rijksmuseum, Amsterdam, 345 x 520 cm. from the François Spiering workshop: 'Cephalus and Procris' from Ovid, Metamorphoses, on the subject of marital fidelity. Below a detail showing the 'painterly' quality of the depiction. From 1592 onwards Spiering's workshop was located at St Agnes convent or Agnietenklooster -alias Spierinxklooster- at the last block of houses of Oosteinde, south side, near East gate. This building measured 6 by 8 meters, having bare walls. It was given to him free of rent as the Town of Delft valued his workshop. From 1599 onwards he rented a yard connected to the St Agnes convent. He employed, each for a certain time, the painters/designers H.C. Vroom and Karel van Mander the elder. Karel van Mander the Younger had started out as a gifted tapestry designer in Spiering's workshop, and he founded his own workshop later on. In 1613 the States General contracted him to produce a series of grand tapestries for the sum of 16.933 guilders. On May 17, 1616 Van Mander rented a house belonging to the St Anna convent for this purpouse. Spiering owned an art collection which boasted fine prints and drawings including works from Italy and a superb collection of Lucas van Leyden. This collection was transfered by his sons to The Hague in 1638.

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